We have several friends who are whiz-kids behind the lens, and rise before larks to photograph that first ray of sunlight through the crevice of the rock and so on. We are grateful to their creative labors, for the pictures show the artist behind the lens, and one needs only look at them to get an instant nature spa. We, on the other hand, forget to take cameras, or if we do, leave them behind in the car before getting out. Plans for sunrises are often derailed by the low trick the sun plays on us by beaming on us and waking us up with his rays before we beat him to it.
So, it is no doubt that armed with nothing but our cellphones, we had no method of capturing the brilliance of the Milky Way galaxy.
Every time we have the luxury of traveling out of our urban areas swathed in artificial light, we try to step out at night to indulge in star gazing. The winter skies over Zion national park did not disappoint. The wisps of cloud that had floated in during the sunset to show us a more resplendent sunset had flitted away obligingly so that we may take in the iridescent brilliance of the Milky Way galaxy unobstructed.
A friend most kindly took a picture of the husband gazing up at the skies that had me yearning to see the sky like that.
Photographers will tell you something about shutter speed, and exposures and frames per second: Lark that always has me looking like a glazed doughnut at t+2 of the discourse. Therefore, I produce slightly alarming results that has physicists going back over their calculations to see how the focal length with the curvature and the light ray divided by exposure rate gave rise to the image that I seem to have obtained. (Just a moment: f/1.4 should blur that background, how did it blur the subject?)
I meander as usual. The point is: I thought we required post processing and superior photographic techniques like make-up on a set to be able to see that night sky. However that night at Zion national park, we had no need to resort to these advanced techniques to see the nebulous cloud of the Milky Way. The skies split open, and the stars poured their celestial brilliance upon us. If this was the show our ancestors enjoyed every night, it is no wonder that we have such wonderful myths and shapes in the ‘ever changing panorama of the skies’ (James Woodforde Parson).
As we looked up, we could not help wondering how the desert beauty in the canyons was so different from the beauty of the seaside and yet so unlike the snowy mountain plains. If this many vagaries of nature could exist on one planet, the mind boggles on what exists in the vast cosmos out there. We rarely stop to think of the skies in any color than the ones we are blessed with. It takes children to imagine that. I remember the childrens’ essays in first grade where they were asked to imagine another world, and their skies looked nothing like ours. They opened our minds to the possibility of having rust colored night skies, with swirling colorful gusts of wind and rainbow colored days. When asked to imagine extra terrestrial life, we are so limited by our imaginations that we seldom look beyond the slightly changed human form.
Yet on this very planet, we know that octopuses have a level of consciousness radically different from our own.
For a long time, we thought that being conscious was something unique to human-beings, then Jane Goodall paved the way for several scientists to study animals and not fear being accused of anthropomorphizing their subjects. Finally, in the 1970’s, Jennifer Mather’s work was acknowledged. Quoted from The Soul of an Octopus by Sy Montgomery:
Once overlooked or dismissed outright, Jennifer’s work now is respected and cited by cognitive neuroscientists, neuroanatomists, and computational neuroscientists so that the Cambridge Declaration on Consciousness asserts that “humans are not unique in possessing the neurological substrates that generate consciousness”, and that “nonhuman animals, including all birds and mammals and many other creatures, including octopuses also possess these neurological substrates.”
Days filled with the daily business of living truly and fully demand our attentions so that we often forget the vibrant universe in which we float. The night view from our planet, ‘ a tiny mote of dust suspended in a sunbeam’ as Carl Sagan so elegantly put it, is the best cure for arrogance there exists. Instead of taking our place among the harmonious orchestra of the universe, if all our dictators are fighting over, is a small patch in this tiny speck on a remote planet, we must feel sorry indeed for ourselves.