I was reading to the son’s classroom. I had planned out two little sections – one from the Tale of Despereaux and the other a true story of a pod of whales saved from the iced in waters of Siberia. The theme linking the two was music. I started, and the little musicians looked thrilled. I was too.
As I turned to the start of Chapter 4 in which the little mouse who was different finally understands what that honey-sweet sound was. I felt like Despereaux myself as I read about how little Despereaux felt a welling in his heart for the music, and how he slowly forgot where he was, or what he was doing. Slowly, he inched out from his hole, listening, mesmerized to the king playing music. As I read it out aloud to the children, I wanted to stifle a laugh, for a childhood memory peeked out of its deep hole the same way that Despereaux did.
“And he discovered, finally, the source of the honey-sweet sound.
The sound was music.
The sound was King Phillip playing his guitar and singing for his daughter, the Princess Pea, every night before she fell asleep.
Hidden in a hole in the wall of the princess’s bedroom, the mouse listened with all his heart. The sound of the King’s music made Despereaux’s soul grow large and light inside of him.
Oh,” he said, “it sounds like heaven. It smells like honey.”
― Kate DiCamillo, The Tale of Despereaux
We lived in the chilly mountainsides, and often times, the cold outside attracted rats and mice into the warm house. Several times, when music was playing in the old tape recorder, we would notice a mouse peeping cautiously and just listening. Curious as to what the noises meant maybe, but maybe not. One of the family would shriek, and the pater would at first try to quieten us down saying it was just a little mouse enjoying some music – so what, or something to that effect, only to have a somewhat more hysterical reaction.
Almost reluctantly would ensue a hilarious game of hockey sticks against furniture trying to get the mouse. Mice are as nimble as well, mice, and humans are – how do I put this kindly? Clumsy. Well-fed humans have several disadvantages stacked against them as they go about the mouse chase:
* Leaning back in the chair after a good meal listening to music in the background has made them soporific, so while the hockey stick is meant to be a tool, it is often used as prop against which to lean on to catch a breath
* They lack the right motive to catch a mouse. The human’s motive is to see if they can tumble in another gulab jamun into the tummy before bed. The mouse’s is to get to the hole
* Crowd sentiment is hard to gauge. The mouse chaser is in the tough spot of being a warrior and a saviour. While the shrieking indicated that something must be done, if something were done, the shriekers would be devastated and clamor for animal rights. So, the mouse chaser has to diplomatically chase the mouse, but not harm it in anyway.
By the end of this jolly game of mouse chasing, the furniture has received several whacks from the hockey stick, and the mouse has strolled into its hole, while the music lilts on from the tape recorder. Which takes me to the curious scenario of mice in kings courts. I wonder how a mouse must’ve been treated in the king’s court. Would the musicians stop playing, while the commotion continued, or would they lilt on? The shriekers would be more, and therefore the motive higher. Would the courtiers gallantly prove their loyalty to the king by mouse chasing themselves, or let the warriors go for it?
They say a mouse’s brain is closest in structure to the human brain, so is that why we enjoy music together?
So Mozart turns rats into maze-busters. But does it have a similar effect on humans?
I suppose The Pied Piper of Hamelin knew what he was doing.
The story, is based on a real incident that happened in the narrow Senyavina Straits of Siberia. Over 3000 beluga whales had been trapped by the rapidly freezing waters in 1984-1985. For seven weeks, the people of the Chukchi peninsula, and the crew of the Moskva risked their lives to save the whales.
The story does not end there. Once the icebreaker ship, Moskva, had cleared the way, the whales had to follow the ship out into the open seas, but they were reluctant to do so. The crew tried playing whale song to lure them. While they reacted to the music, they were not assured of human intent, and were still scared of the engine sound. They lurked in the waters. Then they tried Classical Instrumental Music.
“The crew found some classical music. First, the sweet sounds of violin and violas, next the deeper notes of the cellos and, deepest of all, the string basses…and way up high, a solo violin…
Everyone fell silent as the music carried over the waters.”
That had done the trick. The ship’s engines started and the whales slowly followed the icebreaker out into the open ocean.
Some musings are whally mousical, and all the more whimsical for it. The children seemed to enjoy the reading too. Their wondrous brain did not once question why a mouse liked music or how whales, mice and humans liked the same kind of music.
Coming Soon: Musicophilia