I waltzed in to the San Francisco Museum of Modern Art thinking my usual self should do. It didn’t do. It pursed already thin lips and drew in breaths that should have been released.
So, here is a tip: Before you head into a museum, prepare to put on a face that reminds you of a serious matter: something like a puppy being pulled back home from a glorious spring saunter that yielded an unexpected bone, a couple of birds to chase and beautiful water hydrants to raise their hind legs against. An occasional smile commiserating with the owner (or the puppy) is okay, but grim seriousness is admired.
Remember: Life is Stern, Art is Earnest & Its Depiction Torturous. Good.
What tripped me up was this: I walked into a largish room and found a men’s piddle seat in the middle. You know one of those umbrella-handle shaped urinals? In the middle. I know I have expressed the opinion that I wished the blasted things in bathrooms were less in the corner when you were trying to tighten a screw, but by gosh, I had not quite meant this! I am afraid I did the wrong thing here – I pointed and let loose a guffawing squeal and giggled at the exhibit. Modern Art patrons are a tolerant lot. Tolerant towards Art I mean – they scowled at my flippant attitude, while the urinal drew admiring noises.
When I finally tottered away from this marvel, there was a painting around the corner, that reminded me of one of P.G.Wodehouse’s short stories. Reggie Pepper (who gave PGW the idea for Jeeves) says of his Artist friend’s work:
I’ve seen his pictures, and they are like nothing on earth. So far as I can make out what he says, they aren’t supposed to be. There’s one in particular, called “The Coming of Summer,” which I sometimes dream about when I’ve been hitting it up a shade too vigorously. It’s all dots and splashes, with a great eye staring out of the middle of the mess. It looks as if summer, just as it was on the way, had stubbed its toe on a bomb. He tells me it’s his masterpiece, and that he will never do anything like it again. I should like to have that in writing.
Art certainly conflicts: I stood astonished I suppose that one would take up a whole wall for a work like that when I looked around, and was told by a Patron, “Don’t you just admire how a true artist comes out?”
I eh-ah-ed weakly. When he says, artist comes out: Did artists lay their intestines out on canvas? It certainly did look like it. I recoiled a bit, but luckily the fellow was well launched on his story to notice. He then proceeded to tell me the most extraordinary thing.
Apparently, this artist was hailed as a genius after his death. His paintings regularly sold for $150 million dollars. I gasped at this. I should like to see these patrons! Apparently, one of his works made it to the local Goodwill shop where a lady paid 3 bucks for it. I suppose it must have shocked the $150 million dollar fellows, but life is tough. Anyway, a friend of the $3 buyer said there were enough squiggles to make the fellow a big artist, and had her check it out. Apparently, she got $25 million bucks for it but was not happy, since the other paintings of the fellow sold for over 100 million bucks. People I tell you. Never really happy! Tush.
There were beautiful paintings that managed to depict the 4 seasons, something that looked like a desert sunset, geometric shapes and so much more.
All of these marvels jostled with what I thought were the trial canvasses of the artist – you know those sheets against which you imagine them testing their strokes, and shaking out the extra spots on the brush and so on. (They weren’t – they were the real pieces of Art. I checked.)
What really got me thinking about this whole Art business is the Sensuous blue painting.
There was one painting that looked like this.
Oh, sorry, that is a picture of my daughter’s wall.
This is the painting.
Next to this was written a most poignant note. If I had not read the notice, I could not have imagined such a beautiful set of phrases can be applied for the color blue.
The final straw was the one where the artist forgot to paint and occupied a wall.
“Does this white square hold a mystery?”
I shoo-hoo-ey-ed my way up the floors, all the while admiring the many works, stopping to muse at a fair few, and thoroughly enjoying myself. When they say Art is mind-blowing, I could agree. I may not be able to appreciate the finer details of each piece the way the sturdier patrons do, but I was quite sure, it awakened some dormant senses.
Finally, I washed up in front a pool of floating dishes. Not a dishwasher, more like an indoor pool with clean china chinking and tinkling against each other producing a haunting musical memory to go with the visual. It seemed like a marvelous touch depicting the day at the museum.
All in all, the museum should have made me feel like this character from one of P.G.Wodehouse’s story on being in the presence of an Artist:
She was perfectly pleasant, and drew me out about golf and all that sort of thing; but all the time I felt that she considered me an earthy worm whose loftier soul-essence had been carelessly left out of his composition at birth.
But it didn’t. There was matter enough to engage simple minds like mine, and I thoroughly enjoyed it.